Atlas Metamorphosis

Vincent Fink’s work is surrealism in it’s purest form. His dark images with warped perspectives invite the viewer into a world that came from a lucid dream in which he observed the completed work. Pushing himself to recreate something that was beyond his imagination and skill in his waking life, Vincent has used this inspiration to develop the Metamorphosis Project, a concept that continues to spawn the hidden messages of his dreams.

Printed in January 2012 issue of The Houston Press.

Stage 1: Emperor Egg

This stage is set in a Mesoamerican style 5-point perspective image to give it a spherical warp. Much like a cosmic egg coming down from the heavens to enlighten mankind.

Stage 2: Praise Lord Worm

Thus, he created a whole supporting concept as an explanation of Lord Worm and where he’s going. It is also being rendered into a progressive rock/metal album, though release dates are unknown. It attempts to fuse his ever-growing music style and art as one cohesive mass that can be appreciated in parts or as a whole. The most haunting reality is this concept requires four parts and all of this is only one of them. This project will not be over for years to come and one can expect as the artist grows, so will the intensity of each piece.

http://www.vincentfink.com/stage-2-of-4-lord-worm/

Stage 3: Hail King Pupa

The Ancient Egyptian cocoon tomb is transported in a giant funeral barge to a pyramid for its resurrection as a Beetle. It is the third piece to the puzzle that started as a lucid dream in 2010.

This piece was selected as a Hunting Art Prize Finalist of 2014 as well as one of two pieces selected for Lawndale Art Center’s The Big Show of 2014. Preceding it was stage 2 of 4, also gaining the Hunting Art Prize Finalist status in 2012 which is the largest art prize in the Americas.

More about the beetle symbology:
It is clear that the symbolism of the scarab refers to transformation – the transformation of the soul from physical to non-physical, from ignorant of its nature to wise. Egyptians represented the concept of immortality and resurrection (resurrection of the soul, not the flesh) through the image of the scarab beetle, and therefore, they created seals, amulets and talismans, which served as tools to inform those who carried them about these concepts.

It is important to point out that the real “power” of the talismans and amulets was never the object itself, but rather, the knowledge it contained. A person who is imbued with the spirit of immortality and transformation does not fear death. Since fear is one of things that prevent people from achieving their ideals, those who do not fear are the ones who make history, so it is the knowledge that protects, the amulets and talismans are mere instruments through which the knowledge is revealed.” – Thias Campos

vincentfink.com/stage-3-of-4-king-pupa/

Stage 4: Arise God Beetle

Editor’s Note: Vincent Fink’s limited edition prints are now available for purchase in the Surrealism Today online store.

Vincent Fink Elsewhere on the Web

• vincentfink.com
• instagram.com/vincentfink/
• facebook.com/vincentfinkart/

Statement

Recently, I have been exploring life’s destinations and how they are recorded. I am fascinated with how people have documented their memories; presently and in the past with social and pictorial fervor. My images deal with the contradiction of letting go but at the same time wanting to forever hold on. Filtered photos and high definition videos help create an over the top and almost “too sharp” memory. Continuous snapping and recording of day to day life blur important aspects while things that should be forgotten are in full color. What then does a goodbye truly mean?

Biography

Cheryl Frey Richards is a painter, illustrator, designer and art instructor living and working in Patchogue, New York. Cheryl’s artwork has been exhibited in several galleries throughout the Midwest and Northeastern United States. Her work is also a part of several national and international private collections. It is all about control. My work deals with controlling emotions: forcing a smile, face surface vs. dark underbellies, and controlling one’s situation at all costs. Each piece I create shoves the landscape into individual and discernible shapes and forces colors to commit to their given placement on the canvas. The paintings appear whimsical and bright with tension to them. I am a bit of a control freak and struggle with trying to simplify while maintaining control. My older work had a tighter grip on shapes and colors, but as my work has progressed, the colors and lines have loosened as I have learned to let go little by little.

Cheryl Frey Richards Elsewhere

Portfolio: freyrichards.com
Instagram: instagram.com/freyrichardsart
Online Shops:
etsy.com/shop/FreyRichardsArt
saatchiart.com/account/artworks/798001

Artist’s Statement

I’m a surrealist but I also consider myself a landscape painter.

I like to paint biomorphic forms but I’m also interested in capturing the moods of various landscapes.

I like to depict the weather and the seasons – the seasons especially because seasons note the passing of time.

Winter has a special meaning for me as well. It represents solitude and wonder.

Much of my work is inspired by ‘mindscape’ music such as New Age, psychedelic, certain classical pieces, prog rock and medieval music.

As I grow older I’ve become increasingly more intrigued by what life’s Final Door has in store for us. Is it a doorway to eternity or oblivion?

James McCarthy on DeviantArt
James McCarthy on Facebook