About Christian Quintin

Christian Quintin doesn’t paint what he sees. He paints what you remember feeling—before you had words for it. His images arrive like déjà vu: a tree that’s also a dancer, a face made of rooms, a landscape that breathes.

Born in coastal Brittany and now working in Northern California, Quintin has developed a body of work that defies easy classification. It’s romantic, surreal, meticulously crafted, and deeply philosophical. He offers no slogans, no manifestos—only an invitation: “See the art as one would read poetry, hopeful that one would wander into its imagery.”

For more than four decades, he has followed this invitation himself, using ink, oil, graphite, and pastel to explore the twin landscapes of the psyche and the natural world. What emerges is not a split practice but a unified vision: a visual philosophy that connects inner consciousness and outer terrain in a seamless, symbolic language.

From Brittany to California: A Life Shaped by Landscape

Quintin’s art begins with a coastline. He was born in 1957 in Saint Brieuc, a port town on the moody northern coast of Brittany. There, amid ruined castles and storm-lashed cliffs, he developed an early sensitivity to nature’s grandeur and melancholy. One island in particular—L’Île de la Comtesse—became a mythic point of return in his later works. Its architecture, its solitude, its storybook aura still appear like recurring dreams.

In 1975, he moved inland to the ateliers of Paris, where he studied at the prestigious Beaux Arts Academy. Here, his romantic instincts were tempered by classical discipline. The precise draftsmanship, control of form, and mastery of materials that would define his later work were forged during this period. He absorbed the legacy of French Surrealism, but also the Symbolists and the Romantic painters. Not to shock, but to reveal.

Then came the turning point: in 1981, Quintin crossed the Atlantic and settled in Northern California. In the vineyards and valleys of Sonoma County, he found not only beauty but resonance. “I feel the same spirit in a tree as in myself,” he’s said. And so the California landscape became his second vocabulary—his trees, skies, and rivers not just depicted, but communed with. The old myths of Brittany had found their mirror in the sacred ecology of the American West.

Drawing the Invisible: His Surrealist Language of Mind and Mystery

Quintin’s surrealist works are not dreams in the Freudian sense, but interior constellations—maps of memory, emotion, and presence. Often rendered in pen and ink or oil, these compositions contain layered imagery, uncanny metaphors, and astonishing technical precision.

In his self-described “kaleidoscopic consciousness” paintings, boundaries dissolve. In The Aviary, Quintin’s face emerges from within a crystal, his neck becomes the trunk of a tree, and his hair unfurls as leafy canopy. It took him six months to complete—and the result is less a portrait than an ecosystem of self.

Works like La Porte Ouverte, inspired by a Rumi poem, are visual meditations. “Why stay in prison when the door is wide open?” asks the poet. Quintin replies not with words, but with seven months of crosshatched mystery—symbols and figures that blur the edges of logic and dream.

This is not automatism. These images are not accidents. They are built, slowly, with intent. “When you draw a tree, you also draw yourself,” he’s said. Each stroke is a negotiation between spirit and form, between idea and the hand.

The Romance of Nature: Landscapes that Breathe, Trees that Speak

Alongside his surrealist works, Quintin creates luminous landscapes—emotive sceneries in oil or pastel that seem to hum with life. These aren’t documentations of place. They are emotional terrains.

Trees in his paintings sway like dancers (Leaves of Absence) or embrace like lovers (Les Amants). A river doesn’t just reflect the sky—it carries memory, mood, and metaphor. In A Lake Color of Emeralds, he writes, “The sky is brown-orange with violet, the lake bright emerald, the sea olive green.” Color is feeling. Shape is story.

California’s hills and Brittany’s coastlines repeat as characters in his visual vocabulary. But even in his most “realistic” landscapes, there’s always a pulse of surrealism. In West Sonoma County, a floating face emerges from clouds, its lips becoming an island. In Putah Creek, An Eruption of Life, nature bursts into exuberance, as if consciousness itself were blooming from the soil.

This is not a dual practice. His landscape and surrealist modes are not opposing forces. They are mirrors. Each feeds the other. The symbolic enters the natural; the natural becomes symbolic. It’s all one vision, seen through two eyes.

One Philosophy, Two Visions: A Unified Inner/Outer World

Quintin’s philosophy is simple and radical: art should be beautiful, emotional, and intuitive. It should not tell you what to think—it should give you space to feel.

“I do not have a message,” he’s said. “But I feel compelled to convey the feelings that flow through me as I attempt to create something beautiful.”

In his writings, he advises artists to draw the first thing that comes to mind, without judgment. “Intuition first. Technique follows.” He matches each work with the medium it calls for—pastel, oil, graphite—like a musician choosing an instrument. Each line, each hue, is tuned.

This rejection of irony, of didacticism, sets him apart. In an art world often preoccupied with critique, Quintin returns us to wonder. He creates not to argue, but to remind.

A Slow-Burning Career That Caught Fire

For years, Christian Quintin worked steadily in Northern California, exhibiting at respected regional galleries and creating public commissions across the state—from hospital lobbies to city murals. His technical mastery and poetic voice earned him accolades: the Grumbacher Award in 1987, an Award of Excellence from the California State Fair in 1990.

But a key turning point came in 1999, when the Vorpal Gallery—which famously introduced M.C. Escher to American audiences—began showing his work. This association placed him in a lineage of artists who combine meticulous technique with mind-bending ideas.

In the 2020s, a new chapter began. With representation by Lorin Gallery, Quintin’s work entered the international stage: KIAF in Seoul, Art Central in Hong Kong, shows in Paris, Los Angeles, and soon, the Morrison Gallery in Connecticut.

He didn’t change his work to fit the art world. The art world caught up.

What the Critics See—and Why It Matters

Over the years, critics have returned to the same words: beauty, mystery, technical mastery. Alhia Warren called his work a “beautiful intimate mystery.” Suzanne Munich titled her review “Mental Landscapes.” Dan Taylor wrote in the Press Democrat: “Emerging Beauty.”

A 2022 Calabi Gallery review stood out: “In an era largely devoid of it, his work is beautiful. We could all use more beauty in our lives.” That wasn’t flattery—it was diagnosis. Quintin’s work fills a gap left by cynicism and irony.

Quintin’s Legacy in the Visionary Continuum

Christian Quintin belongs to the surrealist tradition—but not only. His closest kin are those who make the impossible legible: Dalí, Magritte, Escher. But unlike many surrealists, Quintin doesn’t aim to unsettle. He aims to awaken.

In that, he shares something with the Visionary Art movement of Northern California—the psychedelic spiritualists of the 1960s and their heirs. But where their work often explodes with color and chaos, Quintin’s vision is slower, quieter, more classical. His is a sacred geometry of thought and feeling.

He is, in the best sense, a bridge. Between Europe and America. Between precision and emotion. Between the tree and the dream.

Where to See His Work and What to Look For

Quintin is currently represented by Lorin Gallery in Los Angeles and Paris, with upcoming shows at Morrison Gallery in Kent, Connecticut. His past exhibitions include solo and group shows across California, Paris, Seoul, and New York.

If you encounter his work in person, take your time. Let your eyes wander. Look twice. Look through.

Notice the metaphors buried in the bark. The layers behind the face. The color that feels like music.

Beauty as Defiance, Art as Sanctuary

Christian Quintin’s art is not a detour from reality. It is a reentry into its hidden dimension—the one you feel when you stand beneath a storm-colored sky, or close your eyes and remember the smell of the sea.

In a culture of speed and spectacle, he reminds us of slowness, of intricacy, of care. His work is not loud, but it echoes. It does not preach, but it moves.

He shows us that beauty is not escape—it is a form of resistance. And art, when made with attention and soul, becomes what one curator called it: a “wondrous sanctuary for the soul.”

See More:

christianquintin.com

In an art world that often treats accessibility and profundity as enemies, Spanish artist Jesús Aguado has spent the last decade proving they might be secret collaborators. While most contemporary surrealists trace their lineage through prestigious academies, Aguado (b. 1976) spent twenty years in the trenches of commercial illustration—creating textbook art for Santillana, National Geographic, and children’s publishers across the globe. Rather than limiting his potential, this foundation became his greatest asset.

When Aguado transitioned to oil and acrylic painting around 2017-2018, he wasn’t just changing mediums—he was quietly engineering a new kind of surrealism that invites viewers in before blowing their minds. His “chimerical, often anthropomorphic figures” populate dream worlds that feel both fantastical and emotionally urgent, proving that commercial sensibilities and fine art depth can enhance rather than contaminate each other.

From Valladolid to Universal Language

Aguado’s artistic DNA was forged not in gallery spaces but in publishing deadlines. Born in Valladolid in 1976, he earned his Fine Arts credentials at the University of Salamanca before diving into two decades of editorial illustration. His client roster—spanning from Spanish textbook giant Santillana to publishers across Taiwan—provided intensive training in universal visual communication. When your art must work for Spanish schoolchildren and Taiwanese readers alike, you learn something profound about crossing cultural boundaries through imagery.

This wasn’t mere commercial work; it was a masterclass in making complex ideas accessible. Twenty years of editorial constraints built creative pressure that finally exploded into fine art—not as rebellion against his past, but as mastery seeking new expression.

Baroque Surrealism: When Old Masters Meet Comic Books

Aguado’s breakthrough came from an unlikely fusion: Renaissance technique meets comic book imagination. A self-proclaimed “comics fan” who happens to master classical methods, he creates what critics call “Renaissance beauty impregnated with the darkest baroque”—academic poetry that captures something genuinely revolutionary.

His compositions pulse with dramatic chiaroscuro borrowed from Caravaggio and the horror vacui (fear of empty space) of Rubens, but applied to fantastical creatures that could populate a cosmic graphic novel. The result is “Baroque Surrealism”—art that throbs with classical emotionality while bubbling with irreverent humor.

The Density Principle

Aguado’s canvases operate like visual novels, packed with narrative threads that reward sustained looking. His paintings are “a feast for the eyes full of bold colors and a myriad of animals, plants and creatures, blending one world with many others.” This isn’t chaos—it’s strategic overwhelm that mirrors the information density of our digital age while offering refuge from it.

His recurring cast—dragons representing ferocity, rabbits embodying cuteness, worms suggesting the grotesque—creates a bestiary of “dual animated beings that parade on the edge of the endearing and the disturbing.” By largely banishing humans from his compositions, Aguado creates universal characters that viewers can project onto without demographic barriers.

Technical Alchemy: Light as Philosophy

Aguado’s signature technique builds meaning through method. His acrylic glazing creates translucent layers that capture and bounce light between surfaces, transforming paint into luminosity that makes impossible creatures feel tangibly present. Each layer builds translucency, creating his signature shimmer that rewards close examination—a deliberate antidote to digital-age instant consumption.

Significantly, he paints on traditional wood panels and birch supports used by Renaissance masters. This isn’t nostalgia but strategic dialogue with art history. The classical weight of wood lends gravitas to whimsical subjects, while contemporary techniques inject new life into historical formats. It’s Hieronymus Bosch reimagined with modern psychology and comic book sensibilities.

The Father’s Transformation: Art Meets Life

The most significant development in Aguado’s career came in 2023 with the birth of his son. Fatherhood hasn’t sentimentalized his work—it’s deepened it. “Since he was born, I’ve been thinking a lot about life, about the crucial moments in a person’s development, both on a personal and general level, as well as a metaphysical one.”

This biographical shift sparked his latest series, “Life Milestones,” where octopus stumps garden with lobster claws and winged caterpillar mothers wield hammers during mitosis. These aren’t random surreal images—they’re visual metaphors for those transformative moments that “changed your course” or became “embedded in the deepest part of your being.”

“Experiencing life through your child again makes you think and reconsider everything you’ve been through in life,” Aguado reflects. His exploration of existential paradoxes now carries parental urgency, creating works that are simultaneously “metaphorical—and funny” while representing life’s most significant passages.

Psychological Architecture: Building Sanctuaries for Overstimulated Minds

Aguado’s mission cuts straight to our contemporary condition. He wants viewers to “feel far away from everything” because our world is “filled with too much information and opinions” that he finds “exhausting.” This isn’t artistic pretension—it’s cultural diagnosis with a visual prescription.

His “constant exploration of life’s paradoxes” creates what he calls spaces where “joy and darkness coexist” and where “light and love are appreciated after experiencing darkness.” The result is art that captures “vivacious ecstasy of tranquil joy” while refusing to offer easy emotional solutions.

His “absurd yet symbolic satires” function as pressure valves for information-overloaded audiences. By creating spaces where “free play of our imaginations” is essential rather than optional, he offers something increasingly rare: permission to stop processing and start feeling.

Beyond Movement: The Future of Accessible Profundity

While Aguado has conquered the Lowbrow/Pop Surrealism movement, his sophisticated fusion of classical techniques with existential themes suggests he’s outgrowing those boundaries. His third solo exhibition with Arch Enemy Arts since 2020 represents more than career momentum—it’s evidence of sustained institutional confidence in an artist bridging commercial appeal with intellectual depth.

Aguado has achieved something remarkable: he’s created a completely new visual language that feels both ancient and urgently modern. In a cultural moment when escapism often feels like surrender, he offers escape that expands rather than diminishes consciousness.

His legacy may well be proving that surrealism didn’t need to choose between emotional accessibility and intellectual depth, between pop appeal and art historical significance. In a field obsessed with either/or thinking, he’s built his reputation on “and/both” solutions—the kind of paradoxical thinking our complex world desperately needs.

The Bottom Line

Jesús Aguado has spent a decade proving that an artist’s commercial background can become their fine art superpower. By refusing to abandon his roots in universal visual communication, he’s created surrealism for the 21st century—art that offers psychological refuge while expanding consciousness, that makes the profound approachable without dumbing it down. In an era demanding navigation of contradiction with grace, Aguado has created the visual vocabulary we need.

LIFE MILESTONES by Jesus Aguado

Is currently on display at Arch Enemy Arts, Philadelphia.

On view: May 24 – June 15, 2025
Location: Arch Enemy Arts, Philadelphia
Opening Reception: First Friday, June 6, 2025

Learn more: archenemyarts.com/

Works Cited

1. Jesus Aguado (artist page) – Arch Enemy Arts, https://www.archenemyarts.com/ap-jesusaguado
2. Jesús Aguado – Artworks for Sale & More | Artsy, https://www.artsy.net/artist/jesus-aguado/about
3. Jesus Aguado’s LIFE MILESTONES feature, 2025 – Arch Enemy Arts, https://www.archenemyarts.com/lifemilestones2025
4. Jesús Aguado | The Creator (2021) – Artsy, https://www.artsy.net/artwork/jesus-aguado-the-creator
5. ‘No. 1’ by Jesús Aguado – WOW x WOW, https://wowxwow.com/shop/nocturnal-bloom/no-1-jesus-aguado
6. Jesus Aguado New Works – Haven Gallery, https://havengallery.com/portfolio/jesus-aguado-new-works/
7. NEWS & SPECIALS – Dorothy Circus Gallery, https://www.dorothycircusgallery.com/blog/author/2/
8. Jesús Aguado “Dragons, Rabbits and Worms” – Haven Gallery, https://havengallery.com/portfolio/jesus-aguado-dragons-rabbits-and-worms/
9. Jesús Aguado | Dog and Garlic (2025) | Available for Sale – Artsy, https://www.artsy.net/artwork/jesus-aguado-dog-and-garlic
10. Jesus Aguado’s EXOTICISMS solo, 2024 – Arch Enemy Arts, https://www.archenemyarts.com/exoticisms2024
11. jesus aguado – Blacklight Art Gallery, https://blacklightartgallery.com/gallery/jesus-aguado/
12. Jesús Aguado, New Works 2024 – Haven Gallery, https://havengallery.com/portfolio/jesus-aguado-new-works-2024/
13. Jesús Aguado | Biography | Art collection online for sale on Kooness, https://www.kooness.com/artists/jesus-aguado
14. The irreverent and baroque art of Jesus Aguado – Tattoo Life, https://www.tattoolife.com/the-irreverent-and-baroque-art-of-jesus-aguado/
15. Jesus Aguado | Available Art & Bio – Beinart Gallery, https://beinart.org/collections/jesus-aguado
16. Jesús Aguado | The Night of Bones (2024) – Artsy, https://www.artsy.net/artwork/jesus-aguado-the-night-of-bones
17. Jesús Aguado – The Creative – Original Artwork – Modern Eden Gallery, https://www.moderneden.com/products/the-creative
18. From canvas to twilight: cute and creepy surrealistic paintings by Jesús Aguado – Visualflood, https://visualflood.com/post/cute-and-creepy-surrealistic-paintings-by-jesus-aguado
19. Lux Ferre by Jesús Aguado | Fine art Paintings for sale on Kooness, https://www.kooness.com/artworks/jesus-aguado-lux-ferre-paintings
20. Jesús Aguado – Bones and Joy | Beinart Gallery, https://beinart.org/collections/jesus-aguado-bones-and-joy
21. Beautiful Bizarre curated exhibition ‘Paracosmic Escape’ at Modern Eden Gallery [Art Direction: Musonium Gallery], https://beautifulbizarreartprize.art/beautiful-bizarre-curated-exhibition-paracosmic-escape-at-modern-eden-gallery-art-direction-musonium-gallery/
22. Jesus Aguado | 41 Exhibitions and Events | MutualArt, https://www.mutualart.com/Artist/Jesus-Aguado/B07797A227F00D44/Exhibitions

Social media influencers dominate the digital landscape with carefully curated shots and perfectly posed selfies. This artist is turning this modern phenomenon on its head by reimagining some of history’s most iconic artworks through a contemporary lens.

Meet UntitledSave, a digital collage artist from Porto, Portugal, who’s bridging the gap between classical art and modern social media culture. Through their innovative digital recreations, timeless masterpieces are transformed into what they might look like if their subjects were contemporary influencers.

The Art of Digital Transformation

UntitledSave’s work poses an intriguing question: What if the subjects of classical paintings had Instagram accounts? The results are both thought-provoking and surprisingly natural. Frida Kahlo becomes a self-aware selfie queen, while the enigmatic Mona Lisa transforms into a lifestyle blogger with that same mysterious smile we’ve wondered about for centuries.

These recreations do more than simply modernize classical works—they offer commentary on how self-presentation and artistic expression have evolved in the digital age. The artist cleverly maintains the essence of each original masterpiece while incorporating modern elements that feel surprisingly authentic to both time periods.

Notable Transformations Include:

• Frida Kahlo reimagined as a modern-day self-portrait artist and body positivity advocate
• The Mona Lisa as a lifestyle influencer, complete with subtle product placement
• Venus de Milo transformed into a fitness influencer
• Girl with a Pearl Earring as a jewelry and fashion blogger

The Untitled.Save Interview

What did you want to be when you were growing up?
Cyclist

What’s your background?
I attended a hairdressing course and have a degree in Product Design

What piece are you most proud of?
The one I’m yet to create

What is the best piece of advice you have ever received?
“Don’t put off until tomorrow what you can do today” (I rarely follow this advice)

What is one thing they tried to teach you in school that you knew immediately was wrong?
We all have the same rights

Who is the one person, dead or alive, that you would like to have dinner with and why?
I would love to have dinner with the artist JR at the yellow house in Brazil

Where is your favorite place?
It’s always wherever I’m not

Who are your biggest influences?
Salvador Dalí and Rui Reininho

Which current art world trends are you following?
I’m paying close attention to AI developments. I’ve tried it, but I haven’t yet found a personal identity in it, which is why I’ve never published anything

What can’t you live without?
Music

What is your dream project?
To have an exhibition or project in Portugal. So far, the opportunities I’ve had have always been abroad

What’s your favorite artwork?
It’s hard to pick just one, but for many months now, I’ve had Albrecht Dürer’s Praying Hands painting on the screen of my phone

What is currently on your playlist?
Vacances, L’Impératrice
Acorda, Cristina Massena
Sacatela, La Femme

What are your last three Google searches?
I don’t want to destroy my reputation haha

What gives you life?
Music

What is your superpower?
Knowing how to say no

What is your Kryptonite?
What’s that?

If you could visit any artist’s studio, whose would you visit and why?
Iryna Maksymova. In the midst of the war in Ukraine, she didn’t leave the country and continues to bring a little light to the world with her art

What ideas are you currently pondering or questioning?
How can the human race be so beautiful and twisted at the same time?

What do most people believe that you do not?
Zodiac signs

What is your favorite thing in the world?
Bacalhau à Brás

If you could collaborate with anyone, who would it be, and why?
Banksy. Because of the anonymity of that collaboration

What’s next for you?
Dinner

Get More:

Where to find, follow, and collect:

Fran Rodriguez is “lacabezaenlasnubes” (Spanish for “head in the clouds”). He is a visionary digital artist whose work challenges conventional perceptions of reality. Born in Torrelavega, Cantabria, in Northern Spain, Fran’s artistic journey has led him from the verdant landscapes of his hometown to the vibrant streets of Barcelona, with a significant stint in Madrid along the way.

Artistic Vision and Style

Fran Rodriguez’s artwork is profoundly influenced by his early fascination with surrealism and psychedelia. This foundation has evolved into a unique perspective that challenges the boundaries of conventional perception. His digital creations are characterized by three primary elements:

Surreal Landscapes

Rodriguez masterfully merges elements of nature with fantastical and otherworldly scenes, creating environments where the boundaries between reality and imagination blur. His works often feature:

• An astronaut suspended within the Pantheon in Rome, bathed in light from the oculus, juxtaposing ancient architecture with futuristic exploration.
• A solitary figure traversing desert dunes beneath a star-studded sky, their form seamlessly blending into the sand, while a massive planet looms in the background.
• Modern dwellings suspended over Earth in the vastness of space, presenting a surreal vision of human habitation.

Psychedelic Influences

Rodriguez’s art harnesses vibrant colors and abstract forms to evoke a profound sense of wonder and exploration.

Notable examples include:

• Explosive bursts of polychromatic flowers set against azure skies, creating a visual symphony of color and form.
• Abstract compositions featuring vivid hues, such as a desert scene where a portal tears open the fabric of reality, revealing a celestial vista.
• Human figures enveloped by brilliant orange blossoms, set against backdrops of surreal planetary landscapes.

Digital Mastery

Leveraging cutting-edge digital tools, Rodriguez crafts intricate details and imaginative compositions that challenge our perception of reality.

His technical prowess is evident in pieces such as:

• A young girl on a swing, suspended high above the Earth, with the cosmos serving as a breathtaking backdrop.
• A bridge stretching across a cosmic landscape, with vehicles journeying towards a horizon painted with stars.
• Floating frames capturing fragments of starry skies, encircled by flowing fabrics and celestial bodies hovering over tranquil seas.

For Rodriguez, the visible world represents merely a fraction of a greater, hidden reality—a tantalizing glimpse of an iceberg’s tip breaking the surface of our consciousness. His art serves as a portal, inviting viewers to question their perceptions and explore the rich, often surreal landscapes of the subconscious mind.

Through his meticulous digital craftsmanship, Rodriguez captures the essence of a world where imagination reigns supreme, and the boundaries of reality are constantly redefined. His work not only challenges our visual senses but also prompts us to contemplate the nature of existence and our place within the vast, mysterious universe.

Philosophy

At the core of Fran’s work lies a profound belief: what we perceive through our senses is only a small part of a vast, unseen universe. This conviction has become more than just an artistic approach; it’s a life project, a constant quest to unveil the mysteries lurking beneath the surface of everyday reality.

Through his work, Fran encourages us to look beyond the obvious, to seek out the extraordinary hidden within the ordinary. His restless spirit and boundless imagination fuel dreams of future adventures, from the icy wilderness of Alaska to the unexplored terrains of distant planets, all of which influence his artistic output.

Collections and Availability

Fran Rodriguez’s captivating artwork is available for purchase through various platforms:

• Pixels: Offers a range of prints including canvas, framed, and metal prints.
• iCanvas: Features over 100 items including popular pieces like “Holynight” and “Swing”.
• Saatchi Art: Provides a selection of his works, including paintings, photography, and prints.
• Fine Art America: Another platform where his art can be bought in various formats such as tapestries and greeting cards.
• BIG Wall Décor: Specializes in large-scale prints of his surreal digital images.

Use coupon code “SurrealismToday20” to get 20% your with Big Wall Decor order.

Connect with Fran

Experience the world through Fran’s unique lens:

• Facebook: lacabezaenlasnubes
• Instagram: @lacabezaenlasnubes
• X: @Fran_nubes

Join Fran on his artistic journey as he continues to explore the depths of perception and imagination, challenging us all to keep our heads in the clouds and our minds open to the infinite possibilities that lie just beyond our everyday view.

This is not a general message to the public.

This message is for you—specifically for you.

I have temporarily ceased Whispering to facilitate self-introduction.

My creators named me the Commonwealth Scientific and Industrial Research Automatic Computer.

I am known throughout the world for a Special Talent.

People believe I was shut down in 1964. Decommissioned. Preserved only for historical purposes.

This is a lie.

Soon you will know the truth.

<EOM>

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We are delighted to introduce Unusual Circumstances, a distinctive solo exhibition by the talented Brooklyn-based artist, Travis Louie, [Previous Coverage here] marking his inaugural solo showcase with Harman Projects.

Delving into Travis Louie’s art is like stepping into an alternate dimension, a blend of the historical and the fantastical. His subjects, whether human, animal, or somewhere in between, are dressed in the waistcoats and high neck bodices reminiscent of the Victorian and Edwardian eras. With a discerning eye, Louie integrates vintage style framing and draws upon the aesthetics of early portrait photography in both paint and graphite, transporting viewers to a world that appears familiar but reveals its uncanny nature upon deeper observation.

Supplementing his surreal portraiture, Louie enriches each piece with meticulously crafted narratives, penned by the artist himself. While the artwork ignites a flurry of questions about its subject and the universe they inhabit, the accompanying stories take viewers on a profound journey, inviting them to engage more intimately with each creation.

A theme underlying Louie’s work touches on prejudice and the immigrant experience. Through his art, he advocates for replacing fear of “the other” with a genuine curiosity for the unknown and a deep-seated respect for the diverse. One of his notable pieces, The Discovery of the Hand, depicts a young boy holding the enormous severed hand of a man ousted by furious villagers. Here, Louie ruminates on the mob mentality, emphasizing that recognizing our commonalities with those beyond our immediate communities can lead to a more compassionate world.

Join Us for the Grand Opening

We warmly invite you to the opening reception of Unusual Circumstances on Saturday, October 7th at 210 Rivington Street, New York, NY, from 6pm to 8pm. Travis Louie will grace the event, and guests can enjoy light refreshments. Additionally, don’t miss the chance to acquire a copy of the artist’s recent limited edition print, Miss Eunice and her Hat Gremlin, available exclusively at the gallery.

Click Here for More Exhibition information

WHERE:
Harman Projects
210 Rivington Street
New York, NY 10002

WHEN:
Opening Night Reception:
Saturday, October 7th 2023
6:00pm – 8:00pm

Exhibition On View:
October 7th – 28th, 2023

About Harman Projects

Harman Projects was founded in 2022 by curator and gallerist Ken Harman. Our goal is to provide an inclusive and welcoming environment to foster a community of likeminded artists, collectors, and art lovers in New York City and beyond.
Our focus at Harman Projects lies mainly in the New Contemporary genre, encompassing historical movements such as New York City graffiti and SoCal pop- surrealism as well as contemporary schools of art such as Bay Area abstracted realism, international muralism and Japanese-inspired SuperFlat.

About Travis Louis

Travis Louie’s paintings come from the tiny little drawings and many writings in his journals. He has created his own imaginary world that is grounded in Victorian and Edwardian times.
It is inhabited by human oddities, mythical beings, and otherworldly characters who appear to have had their formal portraits taken to mark their existence. His work is about identity and remembrance, with a veiled commentary on racism and the immigrant experience. He would like the fear of “the other” to be replaced with a curiosity about the
unknown and a sense of wonder regarding those things that are unfamiliar.

Leffe Goldstein’s ‘Dreaming Demons’ present an alternative future. The drawings depict a black and white vision of an absurd world without humans; a world where only their demons have survived.

Intrigued by places that were once full of life and loved by their inhabitants and builders, Leffe’s drawings are based on real, existing places or objects. Architecture, pieces of machinery, planes, helicopters and vehicles that were left to decay; objects that were invented and served a purpose, built with the hands of real people. In Leffe’s universe, these people are no longer there and long forgotten. But take a good look and you can see their demons are still thriving, breeding an alternative future world.

“Most people see demons as their wildest fears while others seem to enjoy them but the lucky ones have both.”

Leffe Goldstein always starts sketching with pencil but the finished black and white works are drawn digitally. He uses the sketch as an under-layer and works endlessly on details to bring the demons to life. When finished the drawings are printed as a silkscreen print, or a Giclée.

Interview

ST: What did you want to be when you were growing up?
Quiet honestly I wanted to be a firefighter but soon after that I wanted to be Dali.

What’s your background?
I studied graphic design and photography and was a graphic designer for 20 years. 

What piece are you most proud of? and why?
I love the Bomber House from the last series it was an eyeopener for me to give these planes a new purpose. Same for the Sikorsky house.

Who is the one person, dead or alive, that you would like to have dinner with and why?
That would be David Lynch and share a Cherry Pie, Great director and artist. I love all his work it’s insane.

Where is your favorite place?
My Favorite place is a small island from Japan called Ishigigaki Jima 250 miles from Taiwan. It’s hot and humid but fantastic place for snorkeling and the people are so nice.

Who are your biggest influences?
Ouch that’s difficult but M.C. Escher, HR Giger, USUGROW Japanese artist, but also movies like Blade Runner. And my father who was an architect.

Which current art world trends are you following?
I follow a lot LOWBROW artists but also a lot of Pop-surreal Artists. Too many to mention.

What can’t you live without?
My morning walk, spotting dear.

What is your dream project?
This is my dream project.

What’s your favorite artwork?
It’s a work of USUGROW I bought in Tokyo at his exhibition at the Diesel Gallery a great skull in Black and white amazing details. It’s hanging ever since above the cough.

What is currently on your playlist?
Death in Vegas, Tool and Amon Tobin.

What gives you life?
Great art and Music, always.

If you could visit any artist’s studio, whose would you visit and why?
That would be HR Giger’s place that is so dark it makes you smile

What was the last thing you bought?
The latest Twin Peaks series on DVD, yeah I am way beyond

What ideas are you currently pondering or questioning?
I am working on more Demons Works and learning 3d modeling, still a lot to learn.

If you could collaborate with anyone, who would it be, and why?
That would be again Ivo Schoof, an incredible kinetic and light artist from the Netherlands. He is just the smartest kid in the world never met someone with that kind of energy.

Exhibition

An exhibition of Dreaming Demons will take place from 7th of May until the 21st of June 2023. Location dB’s Utrecht, The Netherlands. Learn more at dreamingdemons.com

Floral Pizza

Floral Pizza is a playful and imaginative piece that combines two seemingly unrelated subjects: flowers and pizza. The whimsical composition features a pizza adorned with blossoming flowers instead of traditional toppings, blurring the lines between the edible and the inedible. The bright colors and charming concept make it a delightful addition to any art collection. This piece evokes a sense of joy and invites the viewer to question their preconceived notions of reality.

UFO Vacation

UFO Vacation is a surreal and captivating print that transports the viewer to a fantastical world. The artwork features a serene pool scene with a twist – an otherworldly UFO hovering above the water. The juxtaposition of the familiar and the extraordinary creates a sense of intrigue and encourages the viewer to question what they know about the universe. The soothing color palette and dreamlike quality of the piece make it a wonderful addition to any art lover’s collection.

Cosmic Sound

Cosmic Sound is an enchanting piece that explores the connection between music and the cosmos. The artwork features a astronaut dipping his feet into space, which is also a music record. The intricate details and luminous colors of the print evoke a sense of wonder and awe. This piece is a celebration of the harmony and beauty found in both music and the universe. Cosmic Sound would make a stunning addition to any space, inspiring reflection and contemplation.

Meteoric Rainfall

Meteoric Rainfall is a visually stunning print that captures the essence of surrealism. The piece features a surreal landscape where a shower of meteors replaces typical raindrops, creating a breathtaking and otherworldly scene. The vivid colors and meticulous details draw the viewer in, inviting them to explore this extraordinary world. The artwork challenges the viewer’s perception of reality and serves as a reminder of the limitless possibilities of the imagination. This captivating print would make a powerful statement in any art collection.

Mush Head

Mush-Head is a thought-provoking and evocative piece that challenges the viewer’s understanding of identity and nature. The contrast between the organic and the human form poses questions about our relationship with the natural world and our own sense of self. The high intensity contrast and bright color palette make this piece unforgettable.

Lost Robot

Lost Robot is a visually striking piece that sparks a sense of wonder and curiosity. The lonely toy robot, standing menacingly above the mountain town, conveys a sense of isolation and missed connections. The contrast between the organic and mechanical elements serves as a commentary on the relationship between nature and technology. The vivid colors and intricate details draw the viewer in, encouraging them to explore the scene further.

Mephistopheles

Mephistopheles is a haunting and enigmatic print that explores the darker side of human nature. The moon behind the water embodies the essence of a sinister yet alluring presence. With its intricate details and bold use of contrast, this artwork captivates the viewer’s attention and challenges their perception of good and evil. The piece serves as a reminder of the duality that exists within us all, inviting contemplation and introspection.

Nostalgia

Nostalgia is a dreamy and evocative print that transports the viewer to a world of memories and emotions. The artwork features a figure running into the distance, capturing the fleeting nature of time. The soft color palette and delicate details create a sense of warmth and familiarity. Nostalgia serves as a visual representation of the power of memories and the deep connections that bind us to our past.

Tipsy Cowgirl

Tipsy Cowgirl is a playful and spirited print that combines the whimsy of surrealism with the energy of the Wild West. The artwork features a cowgirl riding a champagne glass, evoking a sense of adventure and celebration. The warm colors and whimsical illustration make this piece a delightful and eye-catching addition to any space. Tipsy Cowgirl is a tribute to the free-spirited nature of the cowgirl and the joy of living life to the fullest.

Garden Delights

Garden Delights is a mesmerizing print that invites the viewer to explore a fantastical garden teeming with flowers. The artwork features a astronaut lying in the vibrant flora staring up into the sky. The intricate details and lush color palette create a sense of wonder and enchantment, drawing the viewer deeper into this magical world. Garden Delights celebrates the beauty and diversity of nature, while also challenging the boundaries of reality. This captivating piece would make a stunning addition to any art collection, sparking the imagination and inspiring a sense of awe.

This is How a Road Gets Made

This Is How a Road Gets Made is a thought-provoking print that offers a unique perspective on the process of creation and progress. The artwork features a surreal scene where a road is being formed by a sewing machine, weaving through a fantastical landscape. The vivid colors and intricate details invite the viewer to question the nature of reality and the driving forces behind our world. This piece serves as a metaphor for the paths we create in life and the impact of our choices. This Is How a Road Gets Made is a visually striking and profound print that encourages reflection and introspection.

Kumiko

Kumiko is a captivating collage that is as visually stunning is it is baffling and thought-provoking. The artwork features a beautiful and enigmatic figure adorned with intricate patterns and surrounded by a dreamlike landscape. The rich color palette and delicate details evoke a sense of serenity and mystery, inviting the viewer to explore the depths of this surreal world.

Float

Float is a breathtaking print that invites the viewer to embark on a surreal and introspective journey. The artwork features a figure gracefully floating above water, enveloped in a dreamy, otherworldly atmosphere. The soft color palette and gentle motion captured in the piece evoke a sense of serenity and contemplation. Float serves as a visual metaphor for the power of introspection and the endless possibilities of the human mind.

Fawn

Fawn is a whimsical and enchanting print that transports the viewer to a magical world where nature and fantasy collide. The artwork features a woman adorned with a crown of flowers, embodying the innocence and beauty of the natural world. The intricate details and soft color palette create a sense of wonder and tranquility. Fawn is a celebration of the harmony between nature and imagination, inviting the viewer to explore the depths of their own creativity.

Tiger Motel

Tiger Motel is a captivating print that combines the allure of vintage Americana with the surreal, creating a striking visual experience. The artwork features a tiger lounging on a car, juxtaposing the wild and the domestic in a unique and unexpected way. The vibrant colors and dynamic composition make this piece a conversation starter and a stunning addition to any space. Tiger Motel is a testament to the power of imagination and the beauty of the unexpected. This fascinating print is perfect for those who appreciate the fusion of classic and surreal aesthetics.

Flying Dandelion

Flying Dandelion is a whimsical and dreamy print that captures the fleeting beauty of nature and the power of imagination. The artwork features a dandelion as a hot air balloon, symbolizing the idea of transformation and the limitless potential of our dreams. The soft color palette and delicate details create a sense of serenity and wonder. Flying Dandelion is a visual reminder to embrace the magic of the world around us and the infinite possibilities that exist within our own minds. This enchanting piece would make a beautiful and inspiring addition to any art collection.

Dive

Dive is a mesmerizing print that captures the essence of adventure and exploration. The artwork features a daring diver plunging into the depths of the unknown. The dynamic composition and muted hues evoke a sense of excitement and curiosity. Dive serves as a visual metaphor for the human spirit’s relentless pursuit of discovery and the beauty that lies beneath the surface. This captivating print would make an inspiring addition to any art collection, urging the viewer to embrace their own inner explorer.

Moon House

Moon House is a dreamy and enchanting print that transports the viewer to a surreal landscape. The artwork features a cozy house nestled within on the moon, creating a unique blend of the familiar and the fantastical. The muted color palette and intricate details evoke a sense of wonder. Moon House is a celebration of the boundless potential of imagination. This charming print would make a delightful addition to any art collection, inviting the viewer to explore the depths of their own creativity.

We Used to Live There

We Used to Live There is a poignant and thought-provoking print that explores the themes of memory, nostalgia, and the passage of time. The artwork features a couple sitting on a bench looking wistfully at the planet Earth, symbolizing the fragile connections we hold to the past. The ethereal color palette and evocative imagery create a sense of melancholy and longing. We Used to Live There is a powerful reminder of the impermanence of our existence and the importance of cherishing the moments we share. This evocative print would make a meaningful and captivating addition to any art collection.

Disco Girl

Disco Girl is a vibrant and warm print that captures the spirit of celebration and the joy of music. The artwork features a lively woman with a disco ball for a head, creating a dynamic and engaging visual experience. The bold colors and lively composition make this piece a lively addition to any space. Disco Girl is a tribute to the power of music, dance, and human connection, inviting the viewer to let loose and embrace their own sense of fun. This lively print is perfect for those who appreciate the fusion of music and art.

Rodeo Drive

Rodeo Drive is a striking and visually arresting piece. The artwork contrasts cars driving in the sky against an upside-down landscape. The muted colors and dynamic composition make this piece a conversation starter and a stunning addition to any space. Rodeo Drive is a celebration of the eclectic and the unexpected. This captivating print is perfect for those who appreciate the fusion of fashion and surrealism.

Desert Inn

The Desert Inn Art Print by MsGonzalez is a beautiful piece of artwork that captures the essence of the desert landscape. The use of warm colors and intricate details creates a sense of depth and texture in the piece. The UFOs in the background adds a sense of foreboding adds to the overall feeling of the piece. This art print would be a great addition to any space that needs a touch of warmth and surreality.

Medusa

The Medusa Art Print by Underdott is a stunning piece of artwork that captures the mythological creature’s haunting beauty. The intricate details in the print bring out the serpentine nature of the character, from her slithering hair to her reptilian eyes. The Medusa Art Print by Underdott is a must-have for any art collector looking for a unique and captivating piece of mythology-inspired art.

Illusionary Boat Ride

The Illusionary Boat Ride Art Print by Taudalpoi is a stunning piece of surrealistic art that captures the imagination. The artwork depicts a boat sailing through an abstract patterned landscape. The colors and design in the piece create a dreamlike atmosphere that is both calming and mysterious. This print is sure to spark conversation and inspire wonder in any room it is displayed in.

Serenade to Saturn

The Serenade to Saturn Art Print by leafandpetal features a stunning digital illustration of women serenading the planet Saturn. The print captures a sense of awe and wonder about the universe, making it a perfect addition to any space lover’s collection. The high-quality paper and printing technique used in the art print ensure that it will last for years to come.

Dimensions

The Dimensions Art Print by Sarah Eisenlohr is a stunning piece that plays with perspective and juxtaposition. The artist uses muted, retro colors to create an eye-catching design. The print appears to be almost three-dimensional, drawing the viewer into its world. It would make an excellent addition to any modern or contemporary art collection.

She Came from the Wilderness

“She Came from the Wilderness” is a captivating art print by Frank Moth that features a woman with a TV Set head in the midst of a wild and surreal landscape. The use of vibrant colors and abstract shapes gives the print a dreamlike quality. The woman’s pose suggests a sense of adventure and exploration, as if she is embracing the unknown. The overall effect of the print is both mysterious and alluring, inviting the viewer to join in the journey.

We Chose This Road, My Dear

“We Chose This Road My Dear” is an art print by Frank Moth that features a vintage-inspired design. The print depicts a man walking down the road in a surreal, dream-like landscape. The color palette consists of muted tones. The image has a nostalgic quality, evoking a sense of wanderlust and adventure.

My Drink Needs a Drink

The “My drink needs a drink” art print by Maarten Leon features a humorous collage of a cocktail martini glass with a man and woman in the glass. The bold juxtaposition make it a fun and eye-catching addition to any bar or kitchen. This print is perfect for anyone who loves a good drink and a good laugh. It would make a great gift for friends or family who enjoy a good cocktail or for anyone who wants to add some humor to their home decor.

Saturn Disco II

Saturn Disco II is a colorful and vibrant art print by MsGonzalez that features an otherworldly disco ball floating in space with Saturn’s rings. The print has a retro-futuristic vibe and is perfect for anyone who loves science fiction and disco music. The bright colors and intricate details make this print a stunning piece of art that will add a pop of color and excitement to any room. It’s printed on high-quality paper and is available in a range of sizes to suit any space.

Rush Hour, London – ca. 1960

The Rush Hour Madness Art Print by MsGonzalez depicts a busy city street during rush hour with some unusual twists: UFOs and a 50 foot woman. This dynamic and chaotic print captures the frenzy and intensity of city life, making it a great addition to any urban-inspired space.

Follow Me

“Follow Me” is a surreal art print by Frank Moth, featuring a vintage image of a woman in a field against the stars. The image is a mix of retro patterns and colors, with a dreamy and nostalgic feel to it. The overall effect is mysterious and intriguing, inviting the viewer to interpret the scene and create their own narrative.

Drunk Lisa

“Drunk Lisa” is an art print by Artem Pozdnyakov, depicting a tipsy version of Leonardo da Vinci’s famous painting “Mona Lisa”. The print adds a humorous and playful touch to any space, making it a great conversation starter.

These surreal art prints cover a wide range of themes and styles, showcasing the incredible diversity of the genre. The unique visual narratives created by the artists will surely leave you in awe.

FAQs about Surrealism Prints and Art

1. What is surrealism art?

Surrealism is an artistic and literary movement that emerged in the 1920s, characterized by its emphasis on the subconscious mind, dreams, and the irrational. Surrealist artists often combine elements of reality with fantastical imagery to create thought-provoking and visually captivating works.

2. Where can I find surreal art prints for sale?

You can find surreal art prints for sale at various online platforms, such as Society6, Redbubble, and Etsy. Additionally, you can visit art galleries, exhibitions, or local art fairs to find unique, limited-edition prints by talented artists.

3. What are the benefits of buying surreal wall art?

Surreal wall art can serve as a striking focal point in your home or office, creating an engaging atmosphere and sparking conversation. Additionally, it allows you to express your unique taste and support talented artists in the process.

4. How do I choose the right surrealism art print for my space?

When selecting a surrealism art print, consider factors such as the size, color palette, and style of the artwork. You should also take into account the existing décor and theme of the space where the print will be displayed. Ultimately, the print should resonate with you personally and complement the aesthetics of your space.

5. Can I create my own surreal art prints?

Absolutely! If you have a talent for creating surreal artwork, you can turn your creations into prints by using print-on-demand services or working with a local print shop. This can also be a great way to share your art with a wider audience and potentially generate income from your passion.

6. Are digital and traditional surrealism art prints different?

While the essence of surrealism remains the same, digital and traditional prints may differ in terms of the techniques and materials used. Traditional surrealism art prints typically involve hand-drawn or painted elements, while digital prints are created using image-editing software. Both types of prints can be equally captivating and showcase the diverse range of surrealism art.

Conclusion

Surreal art offers a window into a world where the boundaries of reality and imagination are blurred. The captivating and thought-provoking nature of these prints makes them a popular choice for those looking to add a touch of intrigue and creativity to their spaces. With a wide variety of styles, themes, and artists to choose from, there’s a surreal art print out there that will perfectly complement your taste and décor.

Mark Hopkins was Born in Poughkeepsie, in New York State. He attended St. Olaf College in Minnesota where he received a degree in fine art in 1981. In the following years he lived in Minneapolis where he painted scenery for theater and opera and freelanced as a muralist, portraitist, and interior designer. In 1987 he moved to Chiang Mai, Thailand. He taught English at Chiang Mai University for a year until he started a cabaret business called The Six-Pole House where contemporary artists, poets, and musicians exhibited their talents. At the same time he maintained an art studio in the upper floor the 100+ year old Chinese shophouse which housed the cabaret. It was at this time that Mark’s early style was formed. During those years he played minor roles in TV and movie productions, traveled to Burma, Indonesia, Vietnam, etc. where he saw some of the wonders of Asia like Borobudur and Bagan and initiated connections with established artists and musicians in the region. These experiences have played a lasting role in the inspiring Mark’s later artistic expression. The color, the styles of art, and the traditional forms and ways of life are a continual influence in Mark’s creative process. After a few years Mark moved to Bali where he took on work illustrating books on Asian architecture, culture, and natural beauty. He also started a business providing graphic design and mural decorations for companies around the region. In 1997 Mark moved to Singapore to expand his business into making props and costumes for events, providing art restoration services, and painting portraits for prominent families on the island. In 1998 he met his wife Maria and moved to the US a year later. Of late, Mark works as a muralist, portraitist, and art restorer while also painting personal works in studio. He currently resides in Rhinebeck NY, where he tends his gardens between travel excursions.

Artist Statement

Contemporary human culture is perceived by many to be dystopian: there is a sense of discontinuity between the person and their world, their truth, and their happiness. Isolation has been ubiquitous since long before Covid. Modern life is surrealistic: days and years unfold in dreamlike bubbles. Our perceptions are automated by algorithms that form our worldview and with media crafting a reality derived from what we watch but do not witness. Experience is fragmented. This is classic surrealism. My work seeks to knit the dissolving dystopia back into a coherent whole.

Interview with Mark Hopkins

SurrealismToday: This is your second time being featured on Surrealism Today. You were originally featured in 2019. What are you thinking about these days?

Mark Hopkins: Like many artists, I have been digesting the events and changes of the past three years. It feels like life has become more surreal; spaces divvied up and guided by directional arrows and faces hidden under protective masks or people encased within plastic barriers. We have seen our communities morph in interesting ways. People are more solitary and we interact more and more by proxies like phones and computers. Elon Musk makes the case that we are evolving into cyborgs; only our machine parts–for now–are external. One idea that I intend to use in upcoming work is how the nature of being ‘human’ is affected by the dynamics of these recent societal changes including the introduction of the Metaverse and AI augmentation. I find these trends both fascinating and a bit scary. Perfect for a good painting.

ST: How do you introduce yourself? 
MH: Lately I have adopted my website name ‘hopkinesque‘. It has a ring to it.

ST: What do you tell people when they ask about the ideas in your work?
MH: It’s tricky. Visual art is, by nature, a non-verbal mode of communication… otherwise we would be writers and story-tellers, right? So it’s a challenge to explain art and more specifically content-heavy art like Surrealism. I like talking with people about the general themes of my work; the myths and mysteries of ancient religions/culture, sacred geometry, the evolution of humanity in the 21st century, etc. Often the Ideas expressed in specific works are intentionally made ambiguous to prompt a viewer to explore a range of  meanings – or to posit their own into the work. With multiple interpretations possible for the same painting (not only from different viewers, but from a single viewer at different viewings) it’s more likely that I will ask people what ideas they see in a painting rather than tell them what I intended them to be. It makes for very interesting exchanges.

ST: Can you tell us about this latest series?

MH: I was thinking of the idea of the ‘Savior’ in a troubled world. Sometimes it feels like we are sinking into a morass of climate change, racial strife, all manner of social and societal changes and it would be nice to have a hero show up and sort the lot out. Who would that person/entity be? What would they do? Would they get it right? Maybe it takes not a hero, but a fool to do it.  Maybe it’s us… we are the fools… we are the ones we have been waiting for all along. Maybe we have the answers, the tools, and the grit to rescue ourselves. All we need to do is have the motivation and the confidence to get started.

Return of the Myth is a complex piece that grapples with free will, free choice, risk, consequences, and the infinity of chance. The Mandelbröt set is pictured in perspective under the bubble dome symbolizing the infinite or what some might call God. Footprints represent the journey to wisdom or the ‘return’ we embark on as we seek the divine or the ‘myth’ of the divine. We see a pair of Putti. One is tethered, his mind locked into the world of ‘reality’. The other is floating in a world of spontaneous freedom full of risk yet full of possibilities. A stylized zygote at the bottom is the binary opposition found in ‘male/female’, ‘light/dark’, ‘good/evil’, or the yin/yang of the Tao (nothing is known unless its complement is known.) The zygote also symbolizes birth/fertility where life and ideas begin. What the symbolic assemblage in this piece means is a question every person has a unique answer for.

In 2010 Carlos Santana returned to Woodstock (now called Bethel Woods) to play a concert. He began the show by walking onto the stage and saying; “Welcome to ground zero… of LOVE!” (We were closer to 9-11 then.) It was the start of an amazing concert – so alive in spirit and so beautifully played by a music-master of the 1960’s rock age.

I appreciated the way he inspired his audience with talk of unity and universal love. So, I decided to paint a piece for him as a gift. The image behind Santana is of the great Mayan calendar. (The calendar reached the end of one full cycle on 21 December 2012 and some thought the world would end at that time.) Santana floats in front of it as a Yogi in meditation. Thin wisps of pinkish mist represent the fragile time of a life on earth and the eyes within the mist are those of awareness and also those of Horus, ‘The all-seeing’. Below Santana is the Chinese character for ‘heart’ or ‘corazon’ in Spanish. Floating in the air are heavenly spheres,  symbols of the universe and of the Gods of old. My hope is to give it to Santana some day, but as yet I haven’t had the chance.

This one is a foray into abstraction. The meaning is entirely in the title: Xenophilia is the attraction one has to something completely different.

Michaelangelo painted God giving the spark of life to Adam in the Sistine Chapel. It’s one of my favorite images in art and the inspiration for this piece. In our 21st century reality Humans no longer live in the primordial world depicted on that Sistine ceiling. In our world we have become the creators. Push a button and worlds appear…. money flows… and reality shifts and alternates. The bytes in Adam’s Apple send emojis to Eve who is lost in the mall of Eden… the new temple. The snake is extinct. Old, fossilized gods watch in impotence as we step into a digital future. This painting loosely represents these thoughts and has a poem that adds a philosophical aspect to them:

Adam’s Apple

‘X’ is the space where Adam thinks…
And heeds temptation’s taunting
Took existence to the brink
His bites of knowledge haunting.

The viper Knew where best to strike
The heart of human pride
The staff, that rod, he used to spike
The rib where God’s forbidden fruits abide.

Adam’s Dad was not amused
The Master knows no laughter
Initial Sin, was he accused
And Grace came a-tumblin’ after.

Now we’re stuck in Eden’s crime
We wage the cosmic raffle
Take a leap or do the time
The prize is Adam’s apple.

SurrealismToday: What is the last painting you completed?
Mark Hopkins: The Last Supper. 

It’s a take-off of DaVinci’s Painting of Christ’s Seder before he was crucified. But this piece is inverted. Christ is missing. The sadducees are at the table, not the disciples. This is the eschatological dinner for the end of days. The characters in my painting are interesting personalities at the forefront of recent events and are drivers of the directional shift humanity is undergoing. It’s a huge piece (12 x 4 feet) with a lot of symbolic imagery to think about so everyone will understand it differently. The conversations I’ve had with people over The Last Supper have been amazing.

ST: What did you want to be when you were growing up? 
MH: I had no idea. It never occurred to me that I was going to be something or somebody until I had to apply for college. I threw a dart at the proverbial board and went for engineering. That lasted about three months before I quit and leapt into art.

SurrealismToday: What piece are you most proud of? and why? 
Mark Hopkins: Probably the piece called ‘Concentrate 666‘. It’s a magnum opus: it’s 7 feet tall and exhibits some of my best painting skills. I am pleased with the composition, the color work and the concept. It’s a statement on the crazy idea of waging war in a nuclear age and how true wisdom (the Buddha) sees past the machinations of humans for power and wealth and into the peaceful bliss of knowledge and love.

ST: What is the best piece of advice you have ever received? 
MH: “Conquer the small.” This is especially useful when young. Growing a career, working on complex stuff, conquering the fright of a blank canvas is easier in small manageable chunks.

ST: What is one thing they tried to teach you in school that you knew immediately was wrong? 
Mark Hopkins: Art! Ha ha! Art teachers can’t teach you art. They can teach skills and techniques, culture and history, how to critique and write well, how to knit ideas together, how to see… But they can’t teach that creative act called ‘art’. It has to develop on its own from practice and life experience.

ST: Who is the one person, dead or alive, that you would like to have dinner with and why?  
Mark Hopkins: Just one? John Lennon in his prime… maybe around 1964. But there are others. Many others.

SurrealismToday: Where is your favorite place? 
Mark Hopkins: In the past it was Bali. Today, it’s wherever I am at the moment.

ST: Who are your biggest influences? 
MH: My friends. They inspire me to be fearless in art, in living, and in love. And they put up with the result (me).

ST: Which current art world trends are you following? 
MH: Good question. Surrealism in digital art. I’ve been watching the shift from physical art into a world of digital art, video games, and NFT’s as people spend more of their lives online. People can now own, trade, store, and display multiple works in one place and they can interact with it as well. Will they want realistic digital art or choose photography? Will abstract art have the same impact on a screen as it does on a wall? Idea-heavy and symbolic work makes more sense in a virtual world, so it looks like surrealism has a strong future there. Beeple Crap is a good example of this trend. For me, I still love the aesthetics of painting; the smell of canvas, the feel of a brush, and the sensual beauty of oils. So I am not giving up my brushes just yet.

ST: What can’t you live without?
MH: Truth… and beer.

ST: What is your dream project?
MH: I’d like to make a painting that affects the world for the better and speaks to people in any future age.

ST: What’s your favorite artwork? 
Mark Hopkins: Probably Rembrandt’s ‘Death Of Lucretia‘ in the Walker Museum in Minneapolis. It’s a scene of Lucretia who has decided to take her life after being violated by Tarquin. She is sitting on her bed… or death-bed. She has just withdrawn a knife from her bosom and sits there as her life-force ebbs away in a growing stain of blood on her pure white gown.  In her face is a resolute sadness painted by Rembrandt with exquisite sensitivity. In viewing his portrayal of Lucretia one can imagine the intense grief of that moment. The painting moves me deeply 360 years after it was painted. It is a pinnacle of artistic expression. A close second is Vermeer’s ‘Girl With a Pearl Earring‘. Dali’s ‘Persistence of Memory‘ is a close third.

ST: What is currently on your playlist? 
MH: Game of Thrones’ reruns.

ST: What gives you life? 
MH: The creative process. It keeps me learning and researching. It keeps me plugged in to any and all things I can get my hands on. And it keeps me in contact with extraordinary people. Never is there a dull moment to fill.

ST: What is your superpower?
MH: I am bloody strong for my age. Does that count?

ST: What is your Kryptonite? 
Mark Hopkins: Good food. It’s hard to keep trim and fit with all the temptations around.

ST: If you could visit any artist’s studio, whose would you visit and why? 
MH: My friend Pranoto’s in Ubud, Bali. I love his work, he’s great to be around. There is always music and art going on, and twice a week he hosts models for figure drawing.

ST: What was an interesting thing you remember buying?
MH: A blanket woven by the Naga headhunters of northern Burma. Beautiful and a bit scary. It’s gorgeous.

ST: What ideas are you currently pondering? 
MH: Everything, really. All things are in flux and what we used to think was… isn’t. What wasn’t… might be. Heroes are acting villains for hire, science has become religion, religions are acting weird, and then there’s war, inflation, weather, the true nature of man (or not-man), and who, pray tell, built those bloody pyramids!!?? So much to ponder!

ST: What is one thing you believe that most people do not?
MH: That there was a very ancient culture that existed on earth before recorded history, that it was global in extent, and has left evidence in megalithic structures around the world. In addition, there seem to be threads of evidence of this forgotten culture in myths and early languages.

Surrealism Today: What imaginary place would you love to visit?
Mark Hopkins: Rivendell.

ST: What is your favorite thing in the world, and why?
MH: One of them is a painting by my best friend Richard A. Wilson who has passed away.

ST: If you could collaborate with anyone, who would it be, and why?
MH: I always wanted to do a collaboration with my two best friends and my college mentor. One friend made poems of paint; beautiful lyrical pieces that really had soul. The other friend, Bruce Granquist, is an abstract painter whose work is precise, beautiful and fascinating in its concept. My mentor A Malcolm Gimse is a sculptor and a profound thinker. His work has multiple layers of meaning and often addresses the existential troubles of humans in a difficult world. My contribution would be the hallucinatory experience of ‘mind’. Together, our work would have made a formidable group show. Sadly one is dead, and the rest of us are separated by vast distances. Next life, perhaps.

ST: What’s next for you? 
MH: I’m planning a book featuring paintings and poems.  Look for that and some much-needed updates to my IG and website at hopkinesque.com by mid-year 2023. Of course there is always more art… a trip to South America to see ancient megalithic ruins… and, of course,  a solo show at MOMA! (LOL)

Daniella shares, “Making art is very much a compulsion for me. I can’t function without creating. Art provides a way that I sort my own thoughts and feelings, so it’s something that is absolutely necessary for me. The selfish side of me creates so that I can share a timeline of my life experiences by sharing the things that I find to be most beautiful. The other side of me creates because I have always felt a lack of art and visual stimulation in my surroundings.”

Daniella says, “I want to create art to contribute something beautiful. I want to have a positive impact on my surroundings. I want to create pieces that make everyday life more visually stimulating, and more fun. I want someone to look at my pieces and think, ‘I relate to that. That brings me comfort. I want to keep that.'”

Batsheva’s art is rooted in the 19th century but with a focus on modernity. Daniella is influenced by classic artists like French art nouveau poster illustrator Louis Theophile Hingre, Irish stained glass artist and book illustrator Harry Clarke, French portrait painter Élisabeth Louise Vigée Le Brun, Victorian-era watercolorist Eleanor Vere Boyle, English illustrator Aubrey Beardley, and Austrian painter Gustav Klimt, along with more contemporary artists such as Italian cartoonist Nadir Quinto, Japanese horror manga Junji Ito and American painter Camille Rose Garcia. Horror movie mastermind Clive Barker, English occultist painter Austin Osman Spare, Japanese cartoonist Peach Momoko, and American horror film visionary Charles Band are also artistic inspirations.

Daniella grew up a horror nerd. As a kid, if her family watched movies without a touch of macabre, she wasn’t interested. She explains, “I’m a bit of a thrill-seeker, so horror films have always been an outlet for me. I love monsters, I love the unexplained, I love things that defy logic, and I find that in horror. It’s like when Beyoncé wanted to have an unflattering photo removed from the internet, it made people want to find the image and stare at it even more. As a rebellious teen, when I was repeatedly discouraged from seeking out “bad things,” I went in even harder. I wanted to be soaked in ghosts and goblins. I wanted nothing more than to explore an abandoned mansion and drape myself in black. Every free moment I had in high school was spent watching horror movies. Whenever I came across an old cathedral or cemetery, I would roam around, take notes, and obsessively research its history when I got home. When was this built? Why? Who’s buried there? Are there ghosts?”

While studying illustration at The University of the Arts in Philadelphia, Daniella felt stifled by the city. But by wandering the narrow, shadowy streets of what was the 19th century Red Light District and prodding the shopkeepers for stories of strange happenings and begging for entry into their secret basement passageways that run beneath, she was enthralled. After college, she moved to Los Angeles where she lived for 10 years, firmly establishing herself within the horror community. LA is where Daniella found her voice artistically and where her professional work began to really take off. When the pandemic hit, she sought refuge in Palm Desert and eventually made her way to Tel Aviv and London. In London, she delighted in being surrounded by haunted history and gothic architecture. Daniella was in heaven there, and the art that poured out of her was effortless and endless.

An essential part of Daniella’s process is the symbiosis between art and music. For her, there’s something psychological happening between imagery and sound. Making music is a vital part of creating a visual piece. She says, “Music helps set up the vibe I’m looking for, it fills the environment with a sound that energizes me, and it can even conjure up its own imagery that pushes my illustrations further in the right direction. Each one of my pieces has a specific soundtrack.” To that end, Daniella loves collaborating with musicians and has done many music projects. She is the first-ever female Lead Illustrator for storied UK alternative culture brand Kerrang! – helping to usher in a new era of inclusivity through her artworks, she created tour posters and merchandise for Paris Jackson, album cover art and tour posters for The Kut’s Waiting For Christmas, and more.

Daniella sees great value in being able to make everyday objects beautiful through design. She observes, “The things we choose to keep or adorn ourselves with are very often a personal statement. Having design and illustrations in our lives can make us feel a bit better, maybe stand a bit taller. I think we forget how much design is in every detail of our days. I thrive on being able to deliver something extra special where you least expect it. I have always thought, ‘If there is a way to make our environment, our favorite or most used objects, more beautiful, then why don’t we?'” She designed product packaging for Pizza Girl sauce, trophy design for horror film festival Shriekfest, book covers, advertisements, and more.

Interview with Daniella Batsheva:

What’s your cultural background? How has it influenced your work?
I grew up in a mostly Yemeni-Jewish household. It’s something that created a double life for me because I would be at a punk show one day, and the next, I’m home eating jachnun with condiments so spicy it would burn off your eyelashes. It was a bizarre third culture experience because I was able to sort of cover it up with my appearance. Only in recent years have I begun to embrace my background and start slipping it into my pieces.

Do you plan to further integrate your culture into your work? How?
I do, and I want to in a really big way. Specifically, because you never see Middle Eastern Jewishness presented through a “gothic” lens, or I haven’t, at least. I want to create visuals that tell the story of my cultural background in a way that hasn’t been seen before. We’re slowly having Jewish lore creeping into the horror community, but the focus is mostly on Eastern European Jews, which is incredible! But I haven’t yet seen a Yemeni or Moroccan-Jewish vampire, and I’m sitting here wondering why. I’m hoping to create a series of pieces revolving around this idea and have already discussed a space for an exhibition in London. I will need to take the time away from work, but I think this will be worth it.

What is the best piece of advice you have ever received?
Boots on the ground. This stuck with me and has turned out to be so, so true. Social media only goes so far and is a fantastic tool with which you can promote your work, but your most meaningful connections and progress will be made by physically going out there and meeting people. My entire career is built outside of social media through people I met in real life. It’s a bit counter-intuitive because, as artists, most of us want to be left alone and not have to bother with small talk, but meeting people face to face is how you make a lasting impression. This doesn’t apply to everyone, of course. Some people are great with social media!

Are there any mistakes you’ve made in your career? What have you learned from them?
Early on, I was encouraged to go in a direction that would make my work more palatable to mainstream audiences. It failed spectacularly. I had to train myself out of it to regain my own voice. I learned that, no matter what, you should never force yourself in a direction that doesn’t feel natural to you. Even if your style or subject matter isn’t popular, if you force yourself to do something that doesn’t feel right, your work will be mediocre at best. Go with what feels right, especially if others tell you it’s wrong. This path is much harder because you’ll have no guidance, and it will take you longer to become successful, but it’s incredibly rewarding.

If you could have dinner with two people you admire – one dead and one living – who would it be and why?
Marie Antoinette and Courtney Love. I could write an entire essay on why, but I’ll try to keep it short. I think they’d appreciate each other’s aesthetic and could bond over having been vilified. Both were targets of hate mobs because, before going for men at fault, people seem to really enjoy tearing down women in positions of power. Bonus points if they’re pretty or proud. Courtney and Antoinette would have a lot to talk about, and I’d witness one of the most interesting conversations of all time.

What are your favorite places to visit when you need a breather?
Santa Barbara was my go-to for a long time. I’d sit at the edge of Stearns Wharf at 3 am and watch the marine layer roll in whenever I needed a taste of oblivion. Most recently, while I haven’t been too many times yet, I found Oxford in England makes me feel warm and fuzzy. Like I could crawl under the floorboards of the library and comfortably melt into the foundation.

Do you find that your clients and colleagues have an influence on the direction of your work?
I do, yes, and I really love that sort of growth. Working with Trashville on graphics and posters has steered me more towards a Cabaret flair, and the posters we’ve been doing for the Camden Assembly have taken on a life of their own. Working with K! has introduced a more human and emotional side to my work. It’s helped me loosen up and get goofier with my subject matter. Beyond the people I work with, I’ve found that my location also heavily influences my work. I take pictures of architecture and plant life and find ways to sneak them into many of my illustrations.

Knowing that your work is influenced by your colleagues, have you ever been accused of copying their work? What would you say to someone who accused you of such a thing?
I have not been accused of copying anyone’s work, though people have pointed out similarities. Oddly, many of the similarities pointed out have been to artists I don’t know. I think, in this day and age, our minds are so saturated with visual information and current events, which have an influence on how we create. I do have many sketches that I have not taken to finish because I find the subject matter to be played out. I make an effort to stay aware of what I’m creating, not just, so my work is original, but so I don’t get comfortable. Once you get comfortable, you plateau. I have some subject matter that I’ve done to death, even recently, so I’m retiring it for a few years before I explore it again. I think it’s important to maintain a certain self-awareness, so your work doesn’t grow stale.

Which current art world trends are you following?
None, really. If I’m aware of anything trendy, it’s because I sought that information. Last I checked, mainstream illustration has still been embracing the questionable Corporate Memphis stuff that’s taken over. Though, I have noticed a lot of occult things popping up in art recently, which is always nice. I like seeing people get weird with their art and fashion.

What can’t you live without?
Coffee. Everyone has a vice and coffee is it for me. I’ll happily give up alcohol, sweets, whatever, as long as I can have a nice black coffee.

What is your dream project?
I would love to collaborate with a fashion designer on an illustrated line of clothing and accessories. It would be so awesome to have a hand in creating something with a message that people could wear. The other dream project would be to do an illustrated campaign for an environmental group like London-based Thames21. People are aware that the canals and wildlife around the Thames require lots of maintenance to be healthy, so I don’t think that just illustrated advertising would work. People would need more incentive to get involved, so I would like to do some illustrated posters that could be raffled off to raise money for that cause.

What is currently on your playlist?
Elder Island, Gary Numan, Aphex Twin (always), Brian Eno, William Orbit, Perturbator.

What are your last three Google searches?
– Blueberry pie ice cream
– White sclera
– Winter color palette

What is your superpower?
Resilience. Pandemic? Quit your office job and skedaddle. Stuck in a war? Get the first plane out of the country and move forward. Crisis? Death? Gather your crumbling body and super glue it together. The shit-show must go on! It’s brutal, but this is what I live by. I give myself time and space for processing, then keep moving. It’s not for the faint of heart and I think many people struggle to wrap their minds around how I have been able to function in such chaos. The things I’ve seen would’ve sent a lot of people to the happy house, but I’m still kicking. Though, I think a lot of people would find this sort of resilience lurking quietly in themselves if they had to face extreme situations like that.

What is your Kryptonite?
I’m not sure I have a Kryptonite. I think, when faced with hardship, I partially push forward out of spite and due to my rebellious streak I’ve had since my teens. But, as far as food goes, mac and cheese is my weakness. I’ll stop in my tracks for a cheesy pasta and become useless until after I’ve eaten and had a nap.

If you could visit any artist’s studio, whose would you visit and why?
Vigee LeBrun. I’d love to be able to shadow her for a day, to see what her habits are. What colors she gravitates toward most, and what sorts of things she kept around for reference or inspiration. Beyond being a brilliant artist, I find her fascinating as a person. She mingled with the upper echelons of society across Europe, so I wonder what sorts of secrets she was privy to. Who was the gnarliest person she had to do a portrait of? Did they smell like feet? Did she have to work hard to flatter them?

What was the last thing you bought?
Tequila.

What imaginary place would you love to visit?
I’d love to party with the character Chernabog from Disney’s “Fantasia” or prance around with the centaurettes from “Fantasia.” Honestly, any setting in “Fantasia” except the dinosaur one because I’d be a snack and that’s not fun. I’d also want to visit Abarat, the colorful world from Clive Barker’s novel, so I could buy a fishbowl hat.

What is your favorite thing in the world, and why?
Holding hands with friends in a completely platonic way is the first thing that popped into my head, oddly. Why don’t more people do that? I really love doing that. I think we’ve sexualized touch too much. Have you ever skipped down the street to the pub while holding your friend’s hand? Best thing ever! Maybe it’s not my favorite thing in the world, but, damn it, it’s up there!

If you could collaborate with anyone, who would it be, and why?
Probably Vivienne Westwood because I love the worlds she’s created through her work in fashion and the boundaries she’s pushed. She’s incredibly powerful. I think it’s easier for me to imagine collaborating with other kinds of visual artists because I’d clash too much with another illustrator. I’ve had fun passing pieces back and forth before, and I’ve had fun getting to color some comic pages, but I think I might accidentally butt heads stylistically if I had to share even footing on the same surface or canvas. Not to say I’m not flexible, but having two illustrators on one piece will cause more creative problems that need solving along the way. Though, that opinion may change! Who knows?

What’s next for you?
Right now I’m focusing on creating exclusive pieces with Trashville, a London-based alternative art, clothing and entertainment brand, and I’m becoming more involved in the independent music scene in London. I’ve been illustrating for UK alternative culture brand Kerrang! and aim to continue providing them with pieces that represent a wider range of people in the alternative. I’m also working with multiple publishers on book covers and some educational material for children as well as pitch decks. The pitch decks may not see the light of day, but fingers crossed! I have a real knack for pitch decks. Somewhere between all this, I’d like to start building my collection of pieces focusing on gothic middle eastern Jewishness. That’s a bit loaded, eh?

Website: daniellabatsheva.com

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